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10 Top Reasons Why Story Still Matters
1. We humans are storytelling animals. The drive to story is basic in all people, and exists in all cultures. Stories shape our lives and our culture - we cannot seem to live without them. As social participants in our world, we need real opportunities for conversation so that we can order our thoughts and make sense of our experiences. We pass the time in conversation, talk and chatter - exchanging ideas and stories.

2. I tell my story. You retell it, with all of your own life experiences playing upon it, and suddenly it is your story. Then we tell our two stories to a third member of the story tribe, who listens to both and builds a new, personalized version that shocks us with its twists and turns, and causes us to re-cognize our self. And we are present at the birth of a new story; we now have three for our story bag, and every time I choose one of those stories to share, I will unknowingly, unwittingly include bits and scraps from all of them and suddenly I am telling a different story, but it is still mine, and the story is inside, outside and all around my head. Such is membership in the story culture. We tell our own stories- our daydreams, our gossip, our family anecdotes. We become human through our stories.

3. Have we lost some of our sense of personal storytelling, or has the process altered? In a less technological time, people told each other their life stories regularly and productively, in times of friendship, trouble, celebration and mourning, engaging with each other, forging intimate alliances and creating their own identities. The need for a network in which we can safely story is still present, but we may have to search for others (even in virtual chat rooms) to listen to our tales, and to share their own experiences, to help us connect with "the other villagers in our lives" so that we can be a part of it all, so that we are included, so that we matter. It may be as simple as someone saying, "Guess what just happened to me," and someone else listening. We need to tell life stories to our loved ones, to share what we saw with our fellow workers, to gossip with friends, to talk to the people who sell us our groceries and our gasoline and fill them in on what has recently happened; we need to have a storytelling way of life. We give structure and order, through telling stories, to our mountain of memories and emotions, making sense of and giving cohesion to our lives. And, of course, we tell ourselves stories 'in the head,' reweaving personal tales to ourselves from our own storylines of events that have captured us like fish in a net, worrying about what we will say next time, or replaying comments others have made about us, or remembering a holiday where life was so completely full. And sometimes these stories are told aloud with no one listening but the mirror in front of us or the empty chair beside us.

4. Through story, we can compare the worlds others create with our own representations, re-evaluate our feelings and ideas, come to terms with past experiences, enter into the lives of others, and hone our own abilities to predict and anticipate. Children play out their lives through story; it tells them that life will go on, and gives form to what has happened, what is happening, and what may happen, ordering their experiences through anecdote and tale. They need stories from us to give reassurance to their inner stories, the ones that demonstrate their curiosities, fears and concerns. And we can connect them to other people, other times, other selves, and, of course, other stories.

5. Story is a continuous process. We borrow from others to see how our story fits theirs, then we remold it, add to it, alter it, tell it again anew, always exploring fresh possibilities.

6. Narrative is not just a powerful way of validating one's life to oneself and to others; it can also be a useful tool for analysis and for assimilating one's understanding of scientific and technical concepts. How do we grasp such things as the big bang theory, evolution, and the behavior of the AIDS virus when it attacks cells, or anything we don't have the technical expertise to understand? Indeed, who has ever had, save perhaps Einstein, the technical capacity to comprehend such things? Quite simply, we describe it to ourselves as a story.

7. Story can help us to gain an understanding of the complexity of our emotional responses, demonstrated by the expressive voices of characters speaking eloquently and powerfully of their feelings. We cannot teach children emotions; we can only help them reveal them and attempt to understand them. Children must filter their emotional experiences through their intellects, making sense of all kinds of information, turning story experiences over and over in their minds, and integrating thought and feeling. Aidan Chambers says that children can think and feel with the images that story offers them, storing them in the "museums of their minds" and classifying them for later use.

8. Stories do things to people. We know that things happen to people when they read or hear stories, that any theory about the place of story in schools has to begin with this fact. Story is not an exercise in explanation or persuasion, but an experience between the teller and the told.

9. Evidence presented in volumes of research over the past few years confirms that children who come from homes where storying is a daily activity and where stories and talk are plentiful anticipate learning to read with pleasure and indeed often turn up at school already able to do so, while children who have not had this experience are often the ones who find learning to read difficult. How can we as wise adults responsible for children nourish and strengthen that developing narrative framework, especially when it has such impact upon developing literacy? In The Meaning Makers, Gordon Wells's (1986) account of a fifteen-year study of English children's literacy and language growth, he states that "it was the sharing of stories that we found to be most important." In fact, telling and listening to stories appears to make as significant a contribution to early literacy as reading print.

10. Literary story is missing in the lives of many children. Aside from television's passive, non-interactive storying, some children hear no stories read or told until they go to school. With broken families, crowded schedules, new curricula, and urban development comes the tragedy of children without a storehouse of stories. Grandparents who might have told stories may be unavailable or live far away; the home may not be a storying place; books may be foreign objects; television may dominate the home and limit talk-time; parents may be shift workers; single parents may lack time and energy for sharing story; crowded homes may lack quiet places for reading silently; storytelling may not be considered a significant experience by the adults in the home. It may be that school will have to bear the burden of story on its shoulders, that teachers will be the storytellers who reach most children. And yet with the burden come the related strengths that accompany story in school: curriculum connections; embedded literacy situations; tribal circles of shared experience; modeling of story strength by adults; a sensitivity to authors and illustrators, along with a recognition that the child belongs in this authoring relationship; a wide range of story content, chosen to broaden the child's experiential background, and inclusion of a body of story that carefully and subtly looks at issues of identity, community, sex, race, equity, culture and so on, and constitutes an exploration of genres and modes of story that may be unavailable to a child at home; books by a diversity of authors- North American, South American, Australian, New Zealand, European, African and Asian, male and female, old and young, books out of print, books hot off the press.
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